Die Obrigkeit ist Gottes Gabe, Aria, No. 5 from Cantata No. 119: Preise, Jerusalem, den Herrn (Flute

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Preise, Jerusalem, den Herren, BWV 119 (Bach, Johann Sebastian)

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To these Bach provides appropriate instrumental accompaniment, beginning with the customary continuo-only and including trumpet flourishes in the bass recitative No. Showcasing each instrument in its unique environment, coupled with solo voice, is a Bach trademark in his vocal works created in Leipzig. This same verse also is paraphrased in two Picander settings: Of special note is the fugal tutti da capo chorus No.

Because of the lack of space at the end of the autograph score of Cantata , only the chorale four vocal parts are found. Missing is the orchestral accompaniment in the score as well as the original parts set, both presumably inherited by Friedemann Bach.

Information on the inaugural festival service sermon and preacher are found in Thomas Braatz' Cantata BCW Provenance article, http: The sermon was based on Genesis There is, however, no connection between the sermon text and the cantata text. The fact that he had not yet been in office a full three months may account for the particular grandeur of the work, his biggest essay in orchestration so far in his new position: With nine movements, three of which called upon the choir, it would have lasted in the region of twenty-five minutes. It may have been that Bach began with the idea of constructing the piece around paired recitatives and arias for all four voices, as seems to have been the case in C chapter However, in that case time constraints may well have been a factor in his abandonment of the scheme whereas the dates of the council festivities would have been known well ahead.

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Nevertheless, Bach was heavily involved in producing new at least for the Leipzig congregations cantatas for the weekly services and it may be that he could not devote as much time as he would have liked to additional commissions. In the case of C he writes paired movements only for tenor, although the three other voices do have solo roles. BWV is unusually festive in the styles and instrumentation of its cornerstone choruses: The image of stability and majesty dominates not only these mvts.

We have already encountered this theme in the opening. Bach used a version of the 1st mvt. All the latter mvts.

Bach - Small Gifts

Coming after such a display of pomp, the minor key asserts the humanity of the ruling authorities as the tie between them and the community at large. G Major aria, Cantata [no. Wer mich liebet, der wird mein Wort halten BWV Sehet, welch eine Liebe BWV Sie werden aus Saba alle kommen BWV Erfreut euch, ihr Herzen BWV 66a: Wachet, betet, seid bereit allezeit!

Herr, wie du willt, so schick's mit mir BWV Die Elenden sollen essen BWV Jesu, der du meine Seele BWV Alles, was von Gott geboren BWV 80b: Ein feste Burg ist unser Gott. Ich habe genug BWV Ich bin ein guter Hirt BWV Wahrlich, wahrlich, ich sage euch BWV Bisher habt ihr nichts gebeten in meinem Namen BWV Siehe, ich will viel Fischer aussenden BWV Was soll ich aus dir machen, Ephraim BWV Was frag ich nach der Welt BWV Christus, der ist mein Leben BWV In allen meinen Taten BWV Was Gott tut, das ist wohlgetan BWV Was Gott tut, das ist wohlgetan.

Ihr werdet weinen und heulen BWV Ich glaube, lieber Herr BWV Unser Mund sei voll Lachens. Was mein Gott will, das g'scheh allzeit BWV Ach, lieben Christen, seid getrost BWV Mache dich, mein Geist, bereit BWV Gott, man lobet dich in der Stille BWV a: Gott, man lobet dich in der Stille. Christum wir sollen loben schon BWV Das neugeborne Kindelein BWV Meinen Jesum lass ich nicht BWV Herr Gott, dich loben alle wir.

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Fugue in G minor BWV Ich freue mich in dir BWV Wohl dem, der sich auf seinen Gott BWV Wachet auf, ruft uns die Stimme. Uns ist ein Kind geboren by Johann Kuhnau? Nimm, was dein ist, und gehe hin BWV

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