Wer nur den lieben Gott lasst walten BWV 647 - Organ

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    Chorale: "Wer nur den lieben Gott läßt walten" (BWV 647) for Pipe Organ

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    Performers, Aline Letendre (organ). Publisher Info. Michel Rondeau. Copyright. Creative Commons. Wer nur den lieben Gott lasst walten BWV - Organ - Kindle edition by J.S. Bach. Download it once and read it on your Kindle device, PC, phones or tablets.

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    Wer nur den lieben Gott lässt walten, BWV 647 (Bach, Johann Sebastian)

    Follow to get notified when Clarin Pardo has uploaded new scores. To print parts, please upgrade to a Pro account first. Uploaded on Mar 29, One note I will add is that bassoonists typically typically read in either Bass or Tenor Clef, hardly ever in Treble.

    Only continuo parts of the first four movements survived of the first performance. The cantata text is based on the chorale in seven verses of Georg Neumark , written in and published in in Fortgepflantzter Musikalisch-Poetischer Lustwald.

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    Complete Works for Organ. The Complete Organ Works. Romantic Evening Sex All Themes. These six chorales provide an approachable version of the music of the cantatas through the more marketable medium of keyboard transcriptions. For these reasons, they make an excellent introduction to Bach's organ music in general and to the chorale prelude form in particular.

    Specific reference to the Gospel appears in the recitative addition of movement 5. The words of the chorale remain unchanged in movements 1, 4 and 7 in a symmetric arrangement.

    The changes in the other movements are the work of an unknown poet. In movements 2 and 5 he kept the original words but expanded them by recitatives, in movements 3 and 6 he transformed the ideas of the chorale to arias.

    This chorale cantata is not to be confused with the chorale prelude of the same name, BWV The cantata in seven movements is scored for four soloists— soprano , alto , tenor and bass —a four-part choir , two oboes , two violins , viola , viola da gamba and basso continuo.

    In the central duet violins and violas play the melody of the chorale. The opening chorus is a concerto of three elements: Movements 2 and 5 are composed in the same fashion, alternating the slightly ornamented lines of the chorale with recitative. In the first aria Bach uses a motive which turns the beginning of the chorale melody to major, to express trust in God.