Divertimento in E-flat major, K.113 (Mozart, Wolfgang Amadeus)

Mozart: Strings & Winds

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Andante Nostalgico [dTH] Suite compostelana - VI. Allegro Ben Misurato [dTv] Largo e mesto [emw] Quando le sere al placido'' [ew9] Holy Mother [ew7] Tombeau sur la mort de M. Comte d'Logy [fRa] Allegro scherzando [ekL] Adagio - Allegro - Adagio [dUx] Adagio molto [dTr] La Villa D'este [evT] I 'Drum Roll' - I.

Allegro Con Spirito [eqY] Offertoire 'Laissez paitre vos bestes' H. Largo, Pastorale ad libitum [go3] Entree Des Divinites Infernales [gmd] DergorBten Allmacht [gwl] Und von der sechsten Stunde an [gxm] Laudate pueri [gkq] Non Ha Piu Che Temere [gza] Allegro non troppo [eot] Allegro Con Brio [enM] Sonata in A L.

W.A. Mozart: «Divertimento» KV 563 / Veronika Eberle / Amihai Grosz / Sol Gabetta

Allegro appassionato [eni] Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. He composed over works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound; Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that 'posterity will not see such a talent again in years.

Original member's compositions only.

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Classical and arrangement works only. Divertimento in E-flat, KV Login to add to a playlist. H aydn i s influence is clearlv felt not only here but also in the witty treatment of the woodwind an d brass, the taut rhythms of the minuets and the melodic writing of the second Andante.

I n spite of the deeper emotions that are explored in the Adagio introduction to the final movement an infectiously lively gigue , the work remains a carefree serenade of markedly jubilant stamp and is brought to a brilliant conclusion with a powerful crescendo and the sound of festive fanfares. Mozarts two - act festa teatrale , Ascania in Alba , received its first performance at the T eatro R egio Ducal in Milan on 17 October during his second great italian tour.

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The following month the fifteen - year-old composer wrote his Divertimento in E flat major K. It survives in two different versions. For Milan, Mozart scored the work for two solo violins, viola.

I n order to show off the piece in his native Salzburg, where he had no clarinets at his disposal, Mozart rewrote parts of the score, replacing the clarinets by pairs of oboes and eng l ish horns, adding two bassoons and increasing the complement of strings. The outer movements of this four-movement divertimento are cast in traditional sonata form, with two contrasting subjects apiece.

In the Andante violin and clarinet vie with each other in unfolding a cantabile melody.

The Trio of the Menuetto introduces a note of painful melancholy to the otherwise festive mood, and the finale, with its succession of brief motifs divided by rests, prefers clear harmonic textures to melodic memorability. In describing the original Version of K.

Divertimento No. 1 Eb Major KV113 - Viola

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