Ah perchè cercar degg io (Aria), No. 11b from Il Sogno di Scipione (Full Score)


Biancheggia in mar - No. La Constanza , the spirit of Constancy. Scipione asks Constancy why he should worship her.

She responds that her loyalty to her worshipers can withstand many trials, as a large rock on the shoreline can withstand the sea's fury. Ciglio che al sol si gira - No.

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When Scipione asks why he cannot hear the harmony of the spheres, Constancy replies that it is too intense for humans to behold. Besides, humans have grown deaf to it since they constantly live within it. A chi serena io giro - No.

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La Fortuna , the spirit of Fortune. Scipione asks Fortune why he should worship her. She responds that her favorites receive anything that they want.

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They eventually left Milan on 5 December, arriving back in Salzburg on 15 December. The very next day, any plans for the imminent performance of Il sogno di Scipione were suddenly thrown into confusion by the death of Archbishop Schrattenbach. The selection of a successor was a tortuous and controversial one, with the Imperial court in Vienna applying political pressure on the election process, and in the end—and after no fewer than thirteen ballots—the appointment went to Hieronymus Joseph Franz de Paula, the Count of Colloredo.

He had been born into a distinguished aristocratic family in Vienna in , and was educated there and in Rome. He had been made a canon at Salzburg Cathedral at the age of fifteen, and had acquired several further ecclesiastical titles in Austria and Germany by the time he was officially appointed Prince Archbishop of Salzburg on 14 March Colloredo inherited extensive debts from his predecessor, and his rule was to be characterised by austerity and thrift. It is entirely plausible—likely, even—that the work in question was Il sogno di Scipione.

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Again, it seems plausible, though unproven, that this recognition might have been prompted by gratitude for the serenata offered in his honour. Apollo et Hyacinthus , La finta semplice , Bastien und Bastienne and Mitridate, re di Ponto were all conceived for highly contrasting conditions, venues, audiences and performers, and it is important to bear this in mind when assessing their relative merits.

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Il sogno di Scipione represented yet another new set of circumstances: The influence of his recent fifteen-month trip to Italy is readily apparent, but whereas Mitridate had been able to draw on the operatic reforms and experiments of composers such as Gluck, Jommelli and Traetta, Il sogno di Scipione needed to revert to a less fluid, altogether more reflective and static pace of utterance. Aside from the linking recitative, the main body of the story features nine arias two for each character except Emilio, who has one and a chorus. Fortuna cannot go beyond the limits dictated by Constanza.

Virtue can only occasionally be defeated by violence, while evil deeds, unlike good ones, are transient. Fortuna can manage rare strikes, but cannot deprive heroes of hope and faith.

Thus Scipio chooses Constanza, braving Fortuna's anger unafraid, because the eternal kingdom is dearer to his heart. Fortuna, furious, calls plagues down as vengeance on Scipio. He however keeps his courage through a foul storm. He reawakes in the kingdom of Massinissa, feeling the presence of Constanza beside him. The moral behind his dream was a hymn of praise to the eternal virtues offered by heaven, a model for all those who believe in God.

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In the final scene Licenza praises Scipio's choice and explains that the real protagonist of the play is not Scipio, but the dedicatee — Prince-Archbishop Hieronymus von Colloredo. From Wikipedia, the free encyclopedia.

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Il sogno di Scipione azione teatrale by W. Mozart The composer in , by an unknown painter. Overtura Recitativo Fortuna, Costanza, Scipione: Vieni e segui i miei passi No.

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Risolver non osa Recitativo Costanza, Fortuna: Lieve sono al par del vento Recitativo Scipione, Costanza, Fortuna: Ciglio che al sol si gira Recitativo Scipione, Fortuna, Costanza: E quali abitatori No. Germe di cento eroi Recitativo Scipione, Publio: Se qui vivon gli eroi No.

Publio, padre, ah lasciate No. A chi serena io miro Recitativo Scipione, Costanza: Biancheggia in mar lo scoglio Recitativo Scipione, Fortuna: Di' che sei l'arbitra del mondo intero Recitativo accompagnato Fortuna, Scipione: