Contents:
We are particularly interested in examining the range of approaches taken towards Hindutva politics, whether it be the use of comedy or farce, as in PK , the melodramatic sentimentality of Bajrangi Bhaijaan , or the latest historical epics of Sanjay Leela Bhansali. Related to this theme is the subsequent rise of attacks, in person and via social media, upon directors and actors associated with such films, most notably, Bhansali and Deepika Padukone.
Hindutva cultural politics, however, are not limited to the theatre screen or to contests over star personalities alone. Rather, we can see their manifestation in the blurring of boundaries between self and screen, self-representation and self-broadcast over social media. The most egregious elements of this are the ways in which perpetrators and bystanders record acts of violence in full daylight and broadcast them over social media.
Its other, more everyday forms, are Hindutva trolls and leaders holding forth on WhatsApp and other platforms, challenging the notion of news itself. Along with papers looking at the contemporary controversies surrounding Padma a vat i , we welcome articles on the following topics: Along with full-length essays exploring such topics, we are also interested in shorter, less formal pieces, including: If you are interested in submitting to this special issue of SAFM Please also include a brief bio with your abstract.
Final drafts of accepted proposals will be due by 15 July It is committed to looking at the media and cinemas of the Indian subcontinent in their social, political, economic, historical, and increasingly globalized and diasporic contexts. The journal will evaluate these topics in relation to class, caste, gender, race, sexuality, and ideology. The last few decades have witnessed South Asian cinema and media emerging as significant areas of academic inquiry.
The journal is dedicated to building a space for a critical and interdisciplinary engagement with issues, themes and realities of cinema and media theory.
The scope of the journal will incorporate the concerns of scholars, students, activists and media practitioners. Notes for Book Reviewers: SAFM regularly publishes critically engaged book reviews that further the dialogue on South Asian cinema and media culture. We are especially interested in clearly written, comparative analyses that can locate single or multiple contemporary works in the broader historical context of South Asian media studies.
Innovative juxtapositions of scholarship and artistic practice; books and popular media artifacts; interviews and book reviews are especially welcome. We will carry reviews of single author manuscripts as well as edited anthologies.
Book reviews should not generally be longer than words. The Princess Diarist Carrie Fisher. Vader's Little Princess Jeffrey Brown. The Elephant to Hollywood Michael Caine. Star Wars Chris Trevas. The Celestine Prophecy James Redfield.
Harry Potter Titan Books. Vivian Maier Vivian Maier. Tokyo Lucky Hole Nobuyoshi Araki. Conquest of the Useless Werner Herzog.
Burton on Burton Tim Burton. Darth Vader and Son Jeffrey Brown. The Art of District 9 Daniel Falconer. Kaley Cuoco Calendar Kaley Cuoco. Adventures in the Screen Trade William Goldman. Video Cover Art Thomas Hodge. Other books in this series. Chinese Media Michael Keane.
Sound Studies Michael Bull. Public Relations Robert Heath.
As I noted in the introduction and will argue in the pages that follow, contagion is not only a metaphor for Indian film culture. Directed by Mildred Okwo. Something untimely, as when one is witness to a patterned dissolution of moviegoing practices in the dynamic topology or emergent forms of the new media. Patricia Clough and Jasbir Puar have been my secret sharers in this adventure of political thought for many years: Spectatorship, Audience, and the Sites of Consumption.
Documentary Film Ian Aitken. Everyday Life Ben Highmore. British Cinema Robert Murphy. Disability and the Media Katie Ellis. Visual Culture and Gender Annette Burfoot. Chinese Cinema Chris Berry.
Book Publishing John Feather. Cultural Policy Dave O'Brien.
War and Conflict Communication Philip Seib. Film and Religion S. Hindi cinema before Bollywood Part 1: South Asian Screen Studies, , 2, Transition to Sound; The Studios 7. New Theatres Ltd', Bengali Cinema: Bollywood and beyond Part Indian Cinema not Bollywood The Geo-televisual Aesthetic Orient Blackswan, , pp. Diaspora and Bollywood Indian Cinema Beyond India and the Diaspora Media and the Creation of Parallel Modernities', Africa: Journal of the International African Institute, , 67, 3, Tamil Dubbed as Bollywood