Contents:
When Jesus Christ was but a little child A.
Pleshcheyev On the bank A. Pleshcheyev Winter evening A.
Pleshcheyev The cuckoo A. Gellert Spring The snow is already melting A. Pleshcheyev Lullaby in a storm A.
Pleshcheyev The flower A. Pleshcheyev Spring song A. Pleshcheyev The swallow I. Lenartowicz Child's song K. Sollogub On the golden cornfields A.
Check out Six Pieces Op. 19 in D Major, No. 3 "Feuillet d'album": I. Allegretto semplice by Kids Music Gold Collection on Amazon Music. Stream ad-free or. Although originally created for Solo Piano, I created this Interpretation of the " Feuillet d'Album" from "Six Pieces" (Op. 19 No. 3) for Oboe.
Tolstoy Do not ask A. Merezhkovsky Only thou alone A.
Added by magataganm the Voir toutes les collections de magataganm. Pleshcheyev Lullaby in a storm A. The third piece, "Feuillet d'Album," is an abbreviated, highly lyrical item simple enough for student pianists; it's in standard ABA form, but the B section is barely discernible from the rest. Tyutchev , for soprano and mezzo-soprano In the garden, near the ford I.
Russian rustic Scene, Piano c Minor Op. Khomyakov I'll tell you nothing A.
Fet O, if only you knew A. Pleshcheyev The nightingale A. Apukhtin Gypsy's song Y.
Polonsky Behind the window in the shadow Y. Khomyakov The mild stars shone for us A. G Major "Mozartiana" Op. O child, beneath thy window Op. It was Tchaikovsky's unique melodic charm that could, whether in his Piano Concerto No. This odd collection brings together five innocuous genre pieces with a substantial theme-and-variations set. The third piece, "Feuillet d'Album," is an abbreviated, highly lyrical item simple enough for student pianists; it's in standard ABA form, but the B section is barely discernible from the rest.
Fourth is a Nocturne marked Andante sentimentale, a haunting, hesitant soliloquy interrupted by a more flowing midsection. A miniature cadenza leads to a reprise of the first section, now given a much more ornate treatment. The main material is quite poignant, but contrast arrives with the middle section, a jaunty Allegro vivacissimo in D minor.
The first variation nudges the theme forward only slightly. The second flows more smoothly under triplets in the right hand. Variation 3 brings outright brilliance to the proceedings, intensified with the bravura staccato chords in Variation 4. The fifth variation is an amorous Andante, but the sixth brings back a staccato snap. Variation 3 brings outright brilliance to the proceedings, intensified with the bravura staccato chords in Variation 4.
The fifth variation is an amorous Andante, but the sixth brings back a staccato snap. The seventh could be the chordal outline of a hymn, while the eighth is an unexpectedly exultant waltz in D minor. Variation 9 turns the theme into a mazurka, complete with miniature cadenza. Variation 10 brings back the theme pretty much intact under florid passagework. The next variation is an exuberant Allegro brillante in the style of Schumann.
Variation 12 features a tonic pedal-point in the bass all the way through looking ahead to a technique Tchaikovsky would employ in a movement of his "Polish" Symphony. The whole thing ends with a virtuosic presto coda, driving toward a final crowd-pleasing crescendo. Voir toutes les collections de magataganm. Fermer les collections de magataganm.