Dangerous Border Crossers: The Artist Talks Back

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Guillermo Gomez-Pena has put together a book that should rock you in your socks if you've got any interest in how performance art can, and is being used shamanically although "he" doesn't use this term to manifest the hidden powers of the human unconsciousness, play with them, and perhaps bring balance. In this collection of essays, interviews, and scripts, Gomez-Pena describes the preparation, processes, goals and results of his work, and muses on the whole shebang.

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While so much of the art world seems to be content with cerebral stagnation in the hallowed halls of the "academy" - Guillermo is out there on the pavement, living his art for the betterment of everyone. He's not just making himself look good in this work, he's honest enough to talk about his own fears and insecurities, and discuss the idea of artistic responsibility.

He does this all in a way that is down to earth while clearly displaying the depth of his intelligent approach to his work and the issues involved. He's funny and theoretically as sharp as a razor. If you are at all interested in performance art, or, the American psyche as it relates to race, gender, economics and politics, get the book and enjoy. I might add that this is a great price particularly considering the quality of the paper it's printed on. Performance artist Guillermo Gomez -Pena is an incredible talent who in this, his fifth book, has put together his thoughts and recollections on his art through the nineties.

Dangerous Border Crossers - Guillermo Gómez-Peña - Google Книги

I was intrigued with him after seeing some of his performances on video and wanted to know more about this modern day shamanistic being. The book does not dissapoint , reads fast and is full of the emotions evoked from his performances. His writing style is puntuated with sharp insights into the human psyche. There is poetry, interviews and some experiences that will make you laugh.

GGP often wrties in Spanglish, creating colorful language, deep rooted in the barrios from points north and south of the border, easily shifting gears and writng as though he were Harvard educated.

Texts by Gomez-Pena, Guillermo

GGP shares his views on everything from Zapatismo to skinheads, Roc en Espanol to La Virgen de Guadalupe, cyber communities to barios and everything in between from an insightful Chicano perspective. Although it is not necessary to read the book chapter by chapter, if one does you'll find yourself flying through the experiences and recollections of GGP and partner Roberto Sifuentes and other collaborators.

The characters that GGP creates for his art are memorable and often take offs on pop icon culture. Experience the selections from audience confessions as they confront the beings created by GGP, the reactions and fears are amazing truths that only performance art can create. See GGP and partner Roberto Sifuentes amost die from hanging on crosses as they portray themselves as the good and bad thief from the crucification.

They stayed on the cross until they were finally brought down when someone realized they could die from their performance.

Vicariously experience the shock that they both create and recieve from their performances. GGP lives an existence that is bicultural and international in scope , a Mexican who is a Chicano in the US, he understands the nowhere land he stands firmly on, neither Mexican nor American through some people eyes, he confronts peoples fears making them examine their own prejudices.

Dangerous border crossers : the artist talks back

White probes the redacted blacked-out texts of the FBI's notorious Counter Intelligence Programs, searching for the words erased in the name of the Freedom of Information Act"--Page 4 of cover. The Lemon Grove incident Visual 2 editions published between and in English and held by WorldCat member libraries worldwide Focusing on one of the earliest school desegregation cases, uses dramatizations, archival footage, and recollections of witnesses to examine the response of the Mexican-American community in Lemon Grove, Calif.

Multi-cultural literacy Book 1 edition published in in English and held by 77 WorldCat member libraries worldwide Publisher description: The issue of cultural literacy has been the subject of intense debate in the past two years. Several bestselling books about the deficiencies of our educational system as well as changes in basic curriculum at more than one major university have contributed to the fervor of this debate.

Fueling the national controversy is the question of what body of knowledge constitutes cultural literacy. While many argue for a return to a "back to basics" curriculum, equally energetic voices call for a revised curriculum, one which embraces both traditional western classics and the classics of non-European cultures, among them African, Asian, and Latin American. This volume brings together thirteen essays which suggest the range of knowledge truly literate individuals need to possess.

Also included is a beginning list of names, places, dates, and concepts which are part and parcel of a multi-cultural fabric. Aspects of resistance by Rupert Garcia Book 3 editions published between and in English and held by 66 WorldCat member libraries worldwide.

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He uses a series of crucial practical exercises to help create challenging theatre which transcends the boundaries of nation, gender, and racial identity. Over forty-five photos document his artistic experiments and the text not only explores and confronts his political and philosophical parameters; it offers groundbreaking insights into his, and his company's, methods of production, development and teaching. The result is an extraordinary and inspiring glimpse into the life and work of one of the most daring, innovative and challenging performance artists of our age.

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