Foundations of Expressive Arts Therapy: Theoretical and Clinical Perspectives


Foundations of Expressive Arts Therapy: Theoretical and Clinical Perspectives

Foundations of Expressive Arts Therapy: Theoretical and Clinical Perspectives Author s: Expressive Arts Therapies Catalogue No: Also by Stephen Levine. Healing into life and death: Guided Meditations, Explorations, H: Play and Art in Child Psychotherapy: Customer Reviews Customer Reviews Our customers have not yet reviewed this title. Both of these artist-therapists have the global and interdisciplinary perspective and sensitivity that created the temenos that would foster the emergence of this contribution.

For those unfamiliar with the thirty-year history of Expressive Arts Therapy, the introduction offers a good appetizer.

This new program moved away from a specialization in a particular art therapy by developing a philosophy that embraced an interdisciplinary approach to the arts, indigenous healing systems, contemporary philosophical developments phenomenology, hermeneutics and deconstructionism , and community art-making within the program as an essential component of this approach.

Expressive Arts Therapy was a blossoming as a profession. By , expressive arts therapists and trainers knew they needed a professional community for the exchange of ideas, research and professional development of this intermodal, multi-arts approach. IEATA exists to support the professional use of integrative, multi-modal arts processes for personal and community transformation.

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They provide a global forum for professional dialogue and promote guiding principles for the professional practice of the expressive arts. The second part of the introduction will entice both newcomers and seasoned expressive arts therapists as the Levines grapple, as we all do, with clarifying but not limiting the definition of Expressive Arts Therapy. I was moved by the first aspect of their exploration of definition.

Also by Stephen Levine

The fundamental concept of aesthetic responsibility Knill, Barba and Fuchs, implies an ability to use appropriate media for therapeutic purposes. The expressive arts therapist must therefore be prepared to work with sound, image, movement, enactment and text as they are required in the encounter with the lived situation of the client. I have found this concept of aesthetic responsibility to be the essence of Expressive Arts Therapy, and one that clearly defines our distinct character. Each of the clinical application contributors emphasized the next point that the Levines cite: This is the Intermodal or multi-arts approach.

Foundations of Expressive Arts Therapy Theoretical and Clinical Perspective

Expressive Arts Therapy embraces these concepts as the key parts of their identity. Of particular controversy is the relevance of psychological theory.

Starting Chapter One, Levine challenges the philosophical views of the Greeks and Europeans and stresses that expressive arts therapist create their own theoretical principals. Paolo Knill, the grandfather of Expressive Arts Therapy, in Chapter Two moves us closer to the idea of developing our own expressive arts philosophical base by exploring the imagination, play and this Intermodal language.

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He suggests we create a new paradigm. In his vast contributions to the profession, Knill has given us a new paradigm and language which has helped to make expressive arts clearly distinctive and understood as a profession. Though we leave the philosophical and theoretical perspectives behind, Part Two is still rich with these ideas and concepts.

In part one, the editors questioned the relevance of psychological theory. The authors in Part Two emphasize their psychological underpinning.

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Between imagination and belief: Poetry in the oral tradition: In exile from the body: On the play ground: Notes Includes bibliographical references and indexes. View online Borrow Buy Freely available Show 0 more links Set up My libraries How do I set up "My libraries"?

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