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The song "Blue Valentines" was also unique for Waits in that it featured a desolate arrangement of solo electric guitar played by Ray Crawford, accompanied by Waits' vocals. Around this time, Waits had a relationship with Rickie Lee Jones [89] who appears on the sleeve art of the Blue Valentine album. In , Waits also appeared in his first film role, in Paradise Alley as Mumbles the pianist, and contributed the original compositions " Meet Me in Paradise Alley" and "Annie's Back in Town" to the film's soundtrack. Heartattack and Vine , Waits's last studio album for Asylum, was released in , featuring a developing sound that included both ballads " Jersey Girl " and rougher-edged rhythm and blues.
The same year, he began a long working relationship with Francis Ford Coppola , who asked Waits to provide music for his film One from the Heart. For Coppola's film, Waits originally wanted to work with Bette Midler [ citation needed ] ; she was unavailable due to prior engagements, however.
Waits ended up working with singer-songwriter Crystal Gayle as his vocal foil for the album. Brennan is regularly credited as co-author of many songs in his later albums, and Waits often cites her as a major influence on his work. She introduced him to the music of Captain Beefheart. Despite having shared a manager with Beefheart in the s, Waits says, "I became more acquainted with him when I got married.
After leaving Asylum, the label released the first Tom Waits "Best of" album in , a collection called Bounced Checks , notable for including an alternate, stripped down version of "Jersey Girl" and the otherwise unreleased "Mr. During this period, Waits appeared in a series of minor movie roles, including a cameo role in Wolfen as an inebriated piano player, and his song "Jitterbug Boy" also appeared on the movie's soundtrack. One from the Heart received its official theatrical release in , with Waits appearing in a cameo as a trumpet player as well as receiving an Oscar nomination for Original Song Score eventually losing out to Victor Victoria , by Henry Mancini and Leslie Bricusse.
After leaving Asylum for Island Records , Waits released Swordfishtrombones in , a record that marked a sharp turn in his musical direction. While Waits had before played either piano or guitar, he now gravitated towards less common instruments, saying, "Your hands are like dogs, going to the same places they've been. You have to be careful when playing is no longer in the mind but in the fingers, going to happy places. You have to break them of their habits or you don't explore; you only play what is confident and pleasing. I'm learning to break those habits by playing instruments I know absolutely nothing about, like a bassoon or a waterphone.
His songwriting shifted as well, moving away from the traditional piano-and-strings ballad sound of his s output towards a number of styles largely ignored in pop music , including primal blues, cabaret stylings, rhumbas , theatrical approaches in the style of Kurt Weill , tango music , early country music and European folk music as well as the Tin Pan Alley -era songs that influenced his early output.
He also recorded a spoken word piece, "Frank's Wild Years", influenced by Ken Nordine 's "word jazz" records of the s. Apart from Captain Beefheart and some of Dr. John 's early output, there was little precedent in popular music. Waits's new emphasis on experimenting with various styles and instrumentation continued on 's Rain Dogs , a sprawling, song collection that received glowing reviews.
Rolling Stone ranked the album No. Contributions from guitarists Marc Ribot , Robert Quine , and Keith Richards accompanied Waits' move away from piano-based songs, in juxtaposition with an increased emphasis on instruments such as marimba , accordion , double bass , trombone , and banjo.
The album peaked at No. Waits himself played the lead role. Waits developed his acting career with several supporting roles and a lead role in Jim Jarmusch 's Down by Law in , which also featured two of Waits's songs from Rain Dogs in the soundtrack. Rolling Stone summed up the album's myriad styles this way: The play opened at the Los Angeles Theater Center in February to mixed reviews, although Waits' performance was singled out by a number of critics, including John C. Mahoney, who described it as "mesmerizing. His only musical output of the year consisted of contributing his cover of Phil Phillips ' " Sea of Love " to the soundtrack of the Al Pacino movie of the same name [98] and contributing vocals to The Replacements song "Date to Church", which appeared as a B-side to their single " I'll Be You ".
Burroughs —premiered at Hamburg 's Thalia Theatre on March 31, Jim Jarmusch directed a promotional music video for the song. Between and , much of Waits' early work was assembled and released as Tom Waits: Waits was angered at this, describing many of his early demos as "baby pictures" that he would not want released. The following year, Waits was extremely busy working on movie soundtracks, acting, and contributing to a number of music projects by other artists. First, Waits appeared on the Primus album Sailing the Seas of Cheese as the voice of " Tommy the Cat ", which exposed him to a new audience in alternative rock.
This was the first of several collaborations between Waits and the group; Frontman Les Claypool would appear on several subsequent Waits releases. Edwards was extremely complimentary of Waits' contributions, saying:. Tom Waits is the one who got me my contract [ sic ] with PolyGram. He's wonderful, he's America's best lyricist since Johnny Mercer. He came down to the studio on the Mississippi Lad album, that's the first one I did for PolyGram, and he sang two of my songs, wouldn't accept any money, just trying to give me the best boost that he could.
The only collection of exclusively Waits-performed material of appeared when Waits composed and conducted the almost exclusively instrumental music for Jim Jarmusch's film Night on Earth , which was released as an album the following year. Waits continued to appear in movie acting roles, the most significant of which was his uncredited cameo as a disabled veteran in Terry Gilliam 's The Fisher King.
Bone Machine , Waits's first studio album in five years, was released in The stark record featured a great deal of percussion and guitar with little piano or sax , marking another change in Waits' sound. Critic Steve Huey calls it "perhaps Tom Waits's most cohesive album Waits' most affecting and powerful recording, even if it isn't his most accessible. Paul Schmidt adapted the text from the works of Lewis Carroll Alice's Adventures in Wonderland and Through the Looking-Glass , in particular , with songs by Waits and Kathleen Brennan presented as intersections with the text rather than as expansions of the story, as would be the case in conventional musical theater.
These songs would be recorded by Waits as a studio album 10 years later on Alice. In , he released The Black Rider , which contained studio versions of the songs that Waits had written for the musical of the same name three years previously, with the exceptions of "Chase the Clouds Away" and "In the Morning", which appeared in the theatrical production but not on the studio album.
Burroughs also guests on vocals on "'Tain't No Sin". Somewhere in California , a short black-and-white movie with Iggy Pop ; and his third child, Sullivan, was born. In , Holly Cole released Temptation , a tribute album consisting entirely of Waits covers. Waits would later return the favor by covering the Ramones' songs " Danny Says " and "The Return of Jackie and Judy", releasing them in his studio album. Another Waits cover was released in , as Meat Loaf covered Martha for his concept album Welcome to the Neighborhood.
In , after Island Records released the compilation Beautiful Maladies: We are huge fans. They have good taste and a load of enthusiasm, plus they're nice people. And they gave me a brand-new Cadillac , of course. Waits's first album on his new label, Mule Variations , was issued in Billboard described the album as musically melding "backwoods blues, skewed gospel , and unruly art stomp into a sublime piece of junkyard sound sculpture. The album won a Grammy in ; as an indicator of how difficult it is to classify Waits's music, he was nominated simultaneously for Best Contemporary Folk Album which he won and Best Male Rock Vocal Performance for the song "Hold On" , both different from the genre for which he won his previous Grammy.
The album was also his highest-charting album in the U. The same year, Waits made a foray into producing music for other artists, teaming up with his old friend Chuck E.
Weiss to coproduce with his wife, Kathleen Brennan Extremely Cool , as well as appearing on the record as a guest vocalist and guitarist. Macy , and Geoffrey Rush. John Hammond 's Wicked Grin , a collection of Waits cover songs , was released in Waits quit drinking alcohol around the same time.
In , Waits simultaneously released two albums, Alice and Blood Money. Both albums revisit the tango, Tin Pan Alley , and spoken-word influences of Swordfishtrombones , while the lyrics are both profoundly cynical and melancholic, exemplified by "Misery is the River of the World" and "Everything Goes to Hell. While Waits has played the song live a number of times, [] [] an official version would not be released until A Tribute to Ramones , which was released in on Columbia Records.
That same year, Waits was a judge for the 2nd annual Independent Music Awards to support independent artists' careers, [] and he also appeared in Born into This , a documentary about Charles Bukowski , reading a poem called 'The Laughing Heart'. Waits released Real Gone , his first nontheatrical studio album since Mule Variations , in It is Waits's only album to date to feature absolutely no piano on any of its tracks. Waits beatboxes on the opening track, "Top of the Hill", and most of the album's songs begin with Waits's "vocal percussion" improvisations.
It is also more rock-oriented, with less blues influence than he has previously demonstrated.
Discovered Covered , released on Gammon Records. At this time, Waits made a return to acting after a five-year break, marked at first by the re-release of his Jim Jarmusch -directed short Coffee and Cigarettes: In , Waits appeared in the Tony Scott film Domino as a soothsayer. In the movie, Waits appears in a dream scene as himself, singing the ballad "You Can Never Hold Back Spring" [98] and accompanying himself at the piano.
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Science Writing Heuristic - Solving a Mystery: The Death of Mr. Xavier Room for One More Mr. Later, Chrissie invites Oliver for a drink. Next episode, Mark notices Chrissie and Oliver flirting and quizzes Chrissie about her feelings for him. In S11 E43, Oliver finds himself in hot water with Chrissie after accidently sending her a rude e-mail which was meant for Penny. To apologise, he takes Chrissie for a drink. Several drinks later, a surprised Oliver kisses Chrissie and they go home together. In S11 E44, Oliver and Chrissie arrive at work after their night together.
Mark confesses that he believes Chrissie is too old for Oliver.
After feeling ill all morning, however, Chrissie disappears to the toilet and takes a pregnancy test — which turns out to be positive. In S11 E51, Mark is not impressed to see Oliver flirting with Daisha after she has asked him on a date. Meanwhile, Chrissie tells Oliver that she is pregnant with his child. She struggles to work despite abdominal pains but loses enough blood to realise that she must have miscarried.
In S12 E2, Donna decides to take it upon herself to get Oliver and Daisha together, but she just ends up making things worse. In S12 E5, Oliver learns that, although Jac is a witch, she is also a brilliant surgeon and diagnostician and, for that, she deserves his respect.
In S12 E7, Oliver is determined to work on a case with Jac and is delighted to spot something crucial that she has missed. In S12 E8, Oliver is desperate to complete an assessment but, when he sees Daisha needs a friend, he passes up his chance to finish it. After assisting Jac in miraculously pulling off an emergency operation, Oliver takes team playing to another level by getting intimate with her in the locker room. In S12 E14, Oliver learns that photos of his dalliance with Jac have been posted all over the hospital, he tries to hide them from a returning Daisha.
In S12 E18, Jac is determined to prove to Michael that she is everything she claims to be in her application for the consultant job. But when Oliver lets her down she loses her cool with Penny, blows her opportunity to showcase her teaching skills, and is humiliated when her dalliance with Oliver is revealed to Daisha. In S12 E20, Penny is finding her career all too much and then patient Scott, who she has become close to, asks her to start a new life with him in Spain.
She jumps at the chance. In S12 E27, Oliver is hungover and desperate for an easy ride. Holby Care seems like a perfect remedy — until Sacha arrives, determined to annoy him. In S12 E32, Oliver is promoted to F2 but things start going wrong. Connie is furious with Oliver and he lets slip that Penny slept with a patient. Penny is moved back to AAU. When Connie discovers that their sibling rivalry is compromising patient care, an ashamed Penny and Oliver agree to patch up their differences.