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Jose Carreras recorded La Boheme with Katia Ricciarelli in shortly before he contracted leukemia.
Colin Davis was the conductor. This recording shows how lovely his voice was before illness and overuse dimmed its brilliance. Ricciarelli born in , the same year as Carreras, had a voluptuous voice when in her prime. She takes the high note exactly as marked by Puccini. O soave fanciulla Carreras Ricciarelli. Rolando Villazon was on his way to being the next great tenor when his voice abruptly went AWOL in Anna Netrebko was a great diva then as she is now.
O soave fanciulla Villazon Netrebko. Perhaps this relationship explains the indulgent slowness which characterizes this performance. O soave fanciulla Kaufmann Opolais. Pavarotti always sang Rodolfo when he made his first appearance an opera house.
It was his Met debut role in Mirella Freni was his Mimi. He sang the part 34 times with the company. O soave fanciulla Pavarotti Freni. MIMI Ah, tu sol comandi, amor! Vorrei dir…ma non osso Di. Se venissi con voi? Sarebbe cosi dolce restar qui. Dammi il braccio, o mia piccina… Obbedisco, signor!
Oh, sweetest vision With moonlight bathing your pretty face! Deep in my soul trembles the deepest of passions, etc Our kisses shudder with love! How gently now his words of praise make their way Into my heart…You rule alone, oh love! No, I beg you! Your friends are still waiting So soon must I leave you? What if I went along? How sweet instead to stay behind here.
Take my arm, my dear young lady…As you say, my dear sir… Do you love me, say! Neil Kurtzman Comments and reviews of opera, music, and medicine. Tu sol comandi, amor!
Gia mi mandi via? Se venissi con voi?
Sarebbe cosi dolce restar qui. Dammi il braccio, o mia piccina Outside, Rodolfos' friends call him to join them. He would rather stay with Mimi, but she shyly suggests they all go out together. She holds back, at first, but as this duet ends, they sing together for the first time, and their first word is "Love. Oh, sweetest vision With moonlight bathing your pretty face! He explains the source of his riches: The others hardly listen to his tale as they set up the table to eat and drink.
Schaunard interrupts, telling them that they must save the food for the days ahead: They flatter him and ply him with wine. In his drunkenness, he begins to boast of his amorous adventures, but when he also reveals that he is married, they thrust him from the room—without the rent payment—in comic moral indignation.
The rent money is divided for their evening out in the Quartier Latin. Marcello, Schaunard and Colline go out, but Rodolfo remains alone for a moment in order to finish an article he is writing, promising to join his friends soon. There is a knock at the door. It is a girl who lives in another room in the building.
Her candle has blown out, and she has no matches; she asks Rodolfo to light it. She is briefly overcome with faintness, and Rodolfo helps her to a chair and offers her a glass of wine. After a few minutes, she says that she is better and must go. But as she turns to leave, she realizes that she has lost her key. Her candle goes out in the draught and Rodolfo's candle goes out too; the pair stumble in the dark.
Rodolfo, eager to spend time with the girl, to whom he is already attracted, finds the key and pockets it, feigning innocence. He takes her cold hand Che gelida manina —"What a cold little hand" and tells her of his life as a poet, then asks her to tell him more about her life.
Impatiently, the waiting friends call Rodolfo. O soave fanciulla —"Oh lovely girl". They realize that they have fallen in love. As they leave, they sing of their newfound love. A great crowd, including children, has gathered with street sellers announcing their wares chorus: Parisians gossip with friends and bargain with the vendors; the children of the streets clamor to see the wares of Parpignol, the toy seller. The friends enter the Cafe Momus.
It is clear she has tired of him. Quando me'n vo' —"When I go along" , hoping to reclaim Marcello's attention. To be rid of Alcindoro for a bit, Musetta pretends to be suffering from a tight shoe and sends him to the shoemaker to get her shoe mended.
Alcindoro leaves, and Musetta and Marcello fall rapturously into each other's arms. The friends are presented with their bill. However, Schaunard's purse has gone missing and no one else has enough money to pay. The sly Musetta has the entire bill charged to Alcindoro. The sound of a military band is heard, and the friends leave.
Alcindoro returns with the repaired shoe seeking Musetta. The waiter hands him the bill and, dumbfounded, Alcindoro sinks into a chair. Peddlers pass through the barriers and enter the city.
She tries to find Marcello, who is currently living in a little tavern where he paints signs for the innkeeper. She tells him of her hard life with Rodolfo, who abandoned her the night before, and of Rodolfo's terrible jealousy O buon Marcello, aiuto! Rodolfo wakes up and comes out looking for Marcello. Her weeping and coughing reveal her presence, and Rodolfo hurries to her. Musetta's laughter is heard and Marcello goes to find out what has happened. As a compromise, they agree to remain together until the spring, when the world is coming to life again and no one feels truly alone.
Meanwhile, Marcello has found Musetta, and the couple quarrel fiercely about Musetta's flirtatiousness: Addio dolce svegliare alla mattina! Marcello and Rodolfo are trying to work, though they are primarily talking about their girlfriends, who have left them and found wealthy lovers.
The men both express their nostalgia duet: Schaunard and Colline arrive with a very frugal dinner and all parody eating a plentiful banquet, dance together and sing, before Schaunard and Colline engage in a mock duel. Briefly, she feels as though she is recovering.