Symphony No. 45 in F-sharp Minor (Farewell) movt. 2 (score) - Hob1/45

Symphony no. 45 in F sharp minor 'Farewell', Hob. I:45

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The Philharmonic concerts are already sold out-in fact, not a single ticket was available and many reservations were in vain. Probably a second series of concerts will take place, such is the demand. I believe I have already told you that nothing has happened with either Russia or Paris. They will not pay as much as Gustav has asked; I am not unhappy about it-it would have been a tremendous exertion for Gustav. We now regularly walk for an hour each afternoon in the Prater, and this does Gustav such good that he is really much healthier this year than usual-even his digestion.

Asks Emma to write more informative letters. This time the crowd at the Philharmonic concert was so unbelievably large that a repetition of the first concert will take place on Wednesday-actually in the evening: I think that the last performance will take place next week. Mildenburg was fantastic, almost like her best times in Hamburg. Last night we were with her and Behn together at Theuer's; she is always so nice, and I always enjoy being with her. In fact, we don't see each other often-at most, twice a week.

Behn has now taken a small apartment here. Today is also the first concert; tonight we are at Nina's. Glad to be back in Vienna. Mentions Birrenkosten, Zinne, and Frau Behn. I have been back from Hamburg for two days and have received your letter, which was delayed a whole week. There was such a tumult in Hamburg that I did not write Gustav once. Enough of boring old Hamburg. It will interest you to hear that Arnold's quartet is very well attended this year, and that Hanslick himself was at the first quartet [concert].

I already told you that I sent Siegfried [Lipiner? Arnold must of course never discover this, as he would be furious, but I am still pleased that it succeeded; he seems to be very delighted. Next week he moves into his new apartment. Kneisel also seems to have helped a lot. Gustav said that he has never written such an admirable letter.

Since I got back from Hamburg, I have not seen anybody except for Albi, who ate with us yesterday. I never see Karpath either, because we never go to the restaurant now, but always eat at home. Should an opportunity arise, I will naturally take it. I have already written about the concerts. Behn has now taken a small apartment, and showers Mildenburg with presents. Worries about them travelling with the baby and details of the move. Gustav is in Paris, and I have been in Maiernigg for five days. I feel very well here. My thoughts are now always in Weimar [where Emma and Eduard will live]-I will come visit inor October.

As I am settled in Vienna, we will stay here until the end of August. Unfortunately we are awfully cramped here in the Villa Antonia. My room is also the dining room, and there is unfortunately no shade outdoors. Plans to visit inor October. Mentions Freund and Berkan. Eduard's contract almost certainly permanent. I have taken up the entire correspondence that Frankfurter-as the subject already had been mentioned to Gustav-sent to Alexander, than he might intervene with the Indendent. One naturally couldn't give him an answer, but, under the circumstances, he could make inquiries.

Bearing this in mind, I enclosed Rudolf Krzyzanowski's letters. One is certainly much indebted to him in this affair! Gustav has the best intentions to speak personally with Eduard this Winter. Moreover, I also need my relaxation this year: I have felt unwell all winter, and even took to my bed for a few days before I went to the country. Gustav is probably coming tonight. He appears to have had a terrible migraine at the second concert. I will be glad when he is here. Gustav is in Toblach for a couple of days; we couldn't both check in this year.

We live badly here: This is the first letter I've written in 14 days as I was so ill that I couldn't hold a pen. Also from me, dear Emma, in great hurry just as I am leaving , warmest greetings to you and your husband. I am always glad to be able to conclude from your letters that you are well, and getting on well with each other. We are thinking of you, and your return to Europe, which-finally-won't be long now! S2-WMp [ suggested at auction] -Walter writes greetings on a picture postcard from Riga. I would just like to tell you that my thoughts will be with you tomorrow as your sorrowful hearts will heave with new vehemence.

It presses on me here also And I can always refresh myself with the hope to reduce at least some of my grief and sorrow in action: This will also be something for you, I hope. Tomorrow you are going with Elsa and Arnold to visit his grave-how gladly would I stand there too! In faithful remembrance, I greet you and Arnold. A long business trip also takes me to Gotha; there I of course don't want to miss the chance of visiting you.

I will be with you on Sunday, elevenish, and I am greatly looking forward to finally making the acquaintance of your husband. Would both of you give me the pleasure of being my nice guests for a nice dinner in a nice restaurant in Weimar? So, until I see you again, sincere greetings also to your husband and children. You can imagine that I thought of you first when the necessity to appoint a solo cellist was first mentioned. After all the good things I have heard about you, and after the memories of my personal impression of our meeting in Weimar, and finally also in consideration of my sincere friendship with Emma, I would have liked nothing more than to engage you for the filling of the position.

There is, unfortunately-and this "unfortunately" comes from my heart-no hope for it. The age limit is 34 years, over which no court musician is allowed to be engaged-so says the statute out of consideration of the pension fund. I have discovered that exceptions-with the greatest difficulties-have taken place, in that two or three times gentlemen have been accepted up to 37 years of age. After this, it is entirely impossible-there is thus nothing that can be done here.

Please don't worry about the subject too much. The playing in the summer-even if you can't become a Munich court musician and solo cellist-will hopefully please you, and-if I definitely come to Munich-youhave this pleasure every year. I stayed here, quite unexpectedly, longer in order to see the Goethe places with Lotte. Can I still see you? Please call me at 6: Many thanks for your welcome note.

Enclosed, with many thanks, you will find your books returned-in good condition, I believe. Please be so kind as to return to Dr. Lipiner the Mommsen and the? You can also greet them often and warmly from me. Please let me know-here, still-if you are celebrating your wedding and where; in fact: I am leaving here on the 12th of August-a week from today-make then a short detour to Colberg to visit my blind friend; on the 20th my ship leaves for Stettin, and we arrive, after a hour journey, in Riga on the 22nd.

Riga Livland , State Theatre. As a matter of fact, you might better write Riga Russia. My ship now goes full sail, and the world smiles at me cheerfully. One best accomplishes heroic deeds if one goes forth with a song on one's lips. And I now have something similar before me, and you ought to see that it is not impossible that something will become of me yet. I now wish you the best and most beautiful things that you can thing of, and know that you can count on my friendship in sorrow and happiness in every regard.

I greet you with all my heart, and wish you a pleasant journey, in the smaller and larger senses. Allow us, Elsa and I, to ask you to convey our warmest wishes to your Ernst and his young bride on their marriage. Hopefully you are happy about this tie of your son's. Please let us hear a word about it, and also how you are keeping in general.

What is Wolfgang up to? We have not heard anything for a long time. I have just written Martin and Robert in the most pressing way. My good will is large, my influence, little, since probably too many such requests reach these directors. Hurriedly, with many greetings, Bruno. S2-MArD [between and ? Letter concerns Krasselt's brother, Alfred, the concertmaster in Weimar, and his behaviour towards Eduard. Just now I have discovered how uncollegially and unfairly your brother, Weimar Concertmaster Kasselt, has behaved towards my brother, and, in the event that you would be hired here by director Mahler, would still fabricate stories about him.

I hardly need to say how distressed I am about all this-as is Director Mahler. In any case, I regard it as my duty to inform you that, as of today, I am-under these circumstances-not in a position to receive you in my quartet, as was first proposed. I have rushed to give you this news as quickly as possible, as I know what emphasis you have placed on this decision regarding this portion of your future occupation. If you wished on your part to address the consequences of this state of affairs, I would be prepared to recommend this to Mahler. Additional material relating to Mahler later donation from Mrs.

Has to learn English. Hoping to see Ernestine in Berchtesgaden on vacation. You have probably read my last letter to Justi, and as I know you, I know you have read it correctly. Justi's answer seems to me to have been written in der erste Rage, and I am less annoyed about its somewhat brusque form which I naturally attribute only to the momentary mood than I am about the content, i. Furthermore, you know that nothing irritates me more than this type of childish sensibility, from which I had really hoped she had long ago emancipated herself.

Today I sent her letter back to her with my marginal notes, and I beg you to go to her and look at my answer, and wash her childish head, and read my letter with her one more time. I am here in the midst of work -Friday I perform the Mozart Requiem and afterwards the Bruckner Te Deum , and I really need all my peace and quietness to that end; besides that, I must use every free minute to learn English. S3-AJp postmark from Neuilly, France.

Card on which Alma reports on Mahler's progress by filling in information in an outline written by another hand Anna Moll? Mahler's situation worsened notably on On the decision was made to travel to Vienna. Perhaps mentioned in E4-MJ Title page inscribed and signed by Alma Mahler: S3-MD Envelope containing a lock of Mahler's hair folded in blue tissue paper.

S3-MD Envelope containing a lock of blond hair. S3-MDph Signed and inscribed photograph, S3-MDph 44 photographs [48 total, with duplicates] of Mahler alone and with others, including: Mengelberg and Diepenbrock 1 -3 copies , Mahler w. Bruno Walter 1 -2 copies , Mahler, Justine, and others 2 , Mahler's grave, Mahler's daughters, with inscription: Photos of Mahler's father and grandmother, and of Justine and Leopoldine.

S3-MDph photograph of the Rodin bust of Mahler. S3-MD 2 postcards relating to Mahler: S3-MD Envelope containing 4 envelopes with Mahler stamps on them 8 stamps total ; all bear a cancellation stamp with the date One example mounted on gold paper in a black frame. The draft and the omissions from the present facsimile is described by Deryck Cooke in the forward to his performing edition.

Czech text pencilled in. Soprano, Tenor, and Bass parts only. All numbered and labelled in red pencil. Edition is dated and erroneously omits the vocal line in mm. Timings and performance indications given for several songs. Printed errors corrected in "Rheinlegendchen".

Arrangement by Bruno Walter for piano, 4-hands. Signed and inscribed by Mahler: Arrangement by Hermann Behn for 2 pianos, 4-hands. Menuetto movement 2, arranged for piano, 2-hands, by Ignaz Friedman. Given by Alfred to Maria Schmutzer during their courtship, according to Mrs. Has timings for each movement. First edition, later corrected; see Kaplan facsimile for details. Some pencil markings throughout. Middle movements in the following order: This is therefore the original edition of the score. Mahler later reversed the order of the movements; this ordering was followed until the publication of the edition in the Mahler Gesamtausgabe, where it was shown that Mahler intended to reverse his change.

Page 2 signed by Bruno Walter. Timings given for each movement. Booklet published by Royal Festival Hall in Offprint from Psychoanalytic Quarterly 37 S3-MD -Ephemera relating to Mahler, chiefly newspaper clippings and pages torn from periodicals. Newsletters and correspondence from Mahler Gesellschaft. It is largely concerned with a philosophical argument about Lippener's book on Kant. Mention of illness of Putzi Mahler would date card early Makes Alfred a present of a picture.

Handwritten card conveying birthday greetings. Postcard with photograph of Arnold, Alfred, and Jens Solt? S4-AlC or early -draft of a letter, addressed to "Dear Maestro" asking for help finding work. Return address of letter is New York City. Mann is not a musician, and his recommendation would not carry the weight of Bruno Walter's. Alma is in error: A photocopy of this draft already in collection: I hear and see nothing of you but I have not forgotten you!

It is the original manuscript. Looking for portrait by Prof. Outlines his connection with Strauss and his works, and to the Strauss family. Julius Kopsch, -encloses membership card for the Internationale Richard Strauss-Gesellschaft. With letter from the Austrian Legation in Ottawa, , enclosing the invitation. Note from Austrian Bundestheaterverwaltung and invitation to the reopening of Vienna Staatsoper on Gala premiere of Don Giovanni. S4-CAl letter from Ballkomitee of Vienna Philharmonic [postmarked 10 December] discussing plans for 40th anniversary Ball on Are planning to invite Alfred, since he took part in the first ball in Invitation to the ceremony.

Inside of back cover bears the following inscription: Listed in Hoboken I, p. Ebe Stignani signed and inscribed , Joseph Schwarz 3 photos, all signed and inscribed , Robert Lasoie. Includes letter to Mrs. S4-FMap -card from Mrs. With a portion of a genealogical chart. Timings noted in Alfred's hand for each work.

Timings for other works not on programme on back. One additional copy of same. Plans to write an orchestral work for the Cincinnati Symphony. Includes an English-language CV with a works list including performances and dates. Submitted as papers in English 21, Unknown author [Richard Newman? Product of discussions with Mrs. Includes letter from Keri Shepherdson to Mrs.

Photographs of Opera Workshop. Single page, typewritten, on Alfred's stationary from Greenwood Ave, Cincinnati. Laminated death notice from the London Free Press. Bound and gathered volume. Bound and gathered manuscript collection, dated , containing:. Vocal part written in bass clef, but treble clef indicated in margin in blue pencil. Later version in OS-AlD Vocal part written in bass clef, but treble clef indicated in margin in red pencil. Some later changes in coloured pencil; 2 later versions already in collection: Vocal part written in bass clef. Considerable alteration to vocal part in red pencil.

Vocal part in bass clef. Additional copy of original: Also additional copy of original key, in hand of scribe A. Also additional autograph copy of original]. Pencil alterations and performance indications. Another version in OS-AlD probably roughly contemporary as has same pencil alterations. Another version in OS-AlD Rehearsal numbers and English translation of text and expression markings in red ink. Inserted in score are 3 parts: Typed English translation for movement's 2 and 3. German text pasted over.

Rehearsal numbers and English translation of text in red ink; translation of expression and other markings in black ink different from rest of score. Last page dated "Cincinnatith " English translations of Wildgans' poems precede each movement. S4-AlD -Piano Sonata in A major -Sketches and drafts pencil Photocopy of initial draft for first movement; Initial drafts for movement 2 and movement 3 middle section only pencil. Title page in blue pencil. Score untitled, only tempo indication Allegretto. Folder, with Latin title, containing the following gatherings [all on Schirmer paper]:.

Folder, marked "Organ", containing the following gatherings:. Folder with stencils for vocal parts plus box with 23 bound copies and many loose. S4-AlD -Christmas Offertory "Laetantur coeli" based on a "Marienlied" from the "Hohenfurter Liederhandschrift" [14th century] and "Puer natus est" from the "Lochamer Liederbuch" [15th century] Performance indications in pencil. Pencil alteration to sop.

Enclosed in another leaf, blank except for title pencil on front. Full score ink , marked "Organ" on title page. Full of performance indications. Enclosed in another leaf, blank except for title ink on front. Without final transition; 10 men's parts, 6 marked "tenor" and 4 marked "bass. Many performance indications in red pencil.

Red pencil indicates repetition of motivic cells. Front page has early sketch for "Blues". Pseudonym "Wolfgang Hauser" 13 poems, 22 pp. In brown mailing folder, with address label from Paul Zsolnay Verlag, Berlin. S4-AlD -"Aus der Jugendzeit Gustav Mahlers" -3 page, handwritten manuscript detailing the circumstances surrounding the composition of Das klagende Lied , as told to him by his mother, Justine Mahler.

Public lecture given Full score, Peters, pl. Score contains performance indications, cuts, etc. First page autographed by composer. Inscribed and signed by composer. S4-CDph -2 photographs of older gentleman fishing, one with a lady in a chair. Looks possibly like Richard Strauss? Sie leidet wirklich furchtbare Qualen, die selbst das Arzt als vereinzelt dastehend bezeichnet.

Sie kann das schwerlich mehr lang so aushalten. Und mir gehts auch nicht am besten. Von meinem Magenkatarrh will ich absehen, aber schon dies alles ansehen zu mussen, bringt einen Zerzweiflung.

Gustav Mahler-Alfred Rosé Collection - Inventory

Also wie geht es Ihnen? Ist Ihre Frau Mutter schon in Wien? Haben Sie schau eine Wohnung aufgenommen? Gustav war ungefahr 4 Tage hier ist von nach Prag gefahren u[nd] ist jetzt wahrscheinlich in Wien. Wenn er nicht schon in Pest ist. S5-MD -Bill of sale. Encloses copy of letter to him, dated , from Staatsoper Intendant, Dr.

Agrees with the plans and offers to direct the Philharmonic free of charge. Lehman and their transactions MSS and letters. Black notebook with record of performances played or conducted by him. Sometimes includes casts of operas directed. Notes when "Vater am 1. Pult"; once notes that Richard Strauss was present. Black notebook with record of performances of his compositions and account of his manuscripts borrowed and returned.

Black notebook containing reviews of his performances. Box containing patient notes and referrals, treatment records, miscellaneous correspondence, payment records and articles. S5-AlD -Framed programme on gold silk. Staatsoper in Theater im Redoutensaal der Hofburg. Rossini, Der Barbier von Sevilla. S5-MD - Auguste Rodin Bronze bust of Gustav Mahler. S5-MD -Etching of Mahler. Signed "Jasmine" Apparently copied from Emil Orlik's famous etching.

Vienna Philharmonic in Musikvereinsaal, with Weingartner conducting. Lock of hair, in envelope: S5-MRph -5 framed family photographs: S5-Arph -Small oblong turquoise album. S5-Rph -Oblong burgundy album. Includes photos on ship. S5-Rph -Envelope with Viennese photos: Deutsche Volks und Kinderlieder. Quartett am until Forward by Julius Korngold.

Begegnung mit dem Genius. Psychoanalytic Experiences in Life and Music. The Inner Experiences of a Psychoanalyst. Gesammelte Schriften und Dichtungen. S5-AlD - Ludwig van Beethoven Includes a special bound offprint of the introduction "Zu Beethovens Leonore" inside cover. S5-AlD - Albert Lortzing Der Waffenschmied von Worms. Cuts and performance directions in blue pencil. S5-AlD - Giacomo Puccini Piano-vocal score, German text. Ricordi, , , Many pencil corrections and indications. Puccini's handwriting found on , , according to marginal note.

S5-AlD - Richard Strauss Symphonia Domestica , op. Die Macht des Schicksals. Piano-vocal score, German text only. S5-AlD - Richard Wagner Inscribed "Souvenir de votre Ami Gennaro Cinque. The Illustrated Opera Series. Full libretto and musical highlights in English. Hamburg, Frau Concertmeister, Taubstummengasse 4 from Mahler at Hotel Esplanade Formerly contained two other envelopes with stamps, now rejoined with their letters ; E7-MD Doodle by Mahler on Hofoper stationery. Asks for a response to Confirms the previous letter.

Mahler's pay sheet at the Vienna Opera for Auf See Dehmel Earlier copy in S4-AlD English translation written underneath German for first song 3 Gedichte von Bruno Ertler Title page signed, with note: De Profundis Trake Title page indicates a "Mittlere Stimme. Aelita's Lied der Ulla Tolsoi Januar Some alterations, paste-overs, and performance indications. Zucchiati, fagotto ; Orchestre de Chambre de Tolouse, dir.: Su banzigu; Muttos; Sa teppa pattadina; A signorina S.

Il maschio di Volterra; Fa debito; Il trenino che parte e va; Il toro di massalto; Lasciali fare gli rompi le zampine; Avevo un cavallino; Stornelli d'esilio di Pietro Gori; Storia del grillo e della formica. La leggera delle donne; La canzone dell'anatra; Tu mi garvavi tanto; Sora padrona, buongiorno a lei. Musica da Camera - Sonatina per pianoforte - 12 filastrocche zodiacali - sonata per violino e pianoforte.

Ammuriata de pummarole e 'a cantata de maccarune. Alli uno 'e puverielle. Lacrime e' cundannate, ovvero. The Philadelphia Orchestra, Dir.: Riccardo Muti 1 ; Orchestre de Paris, Dir.: Jean Martinon - Dir.: Concerto in sol maggiore per pianoforte e orchestra: Riccardo Muti ; G. Moore, pianoforte 8 ; B. Lupu, pianoforte ; E. O cara mamma di melo; Venezia Venezia; La ragazza guerriera; Canta di Pietramala; Vieni o bella; Apriti o finestra chiusa; Sotto a calma sotto a calma; Bella sei nata femmena; Do don din do; Fa la nina fa la nana; La mia mamma jie na contessa.

Ave Maria; Litanie; Andiamo noi pastori; Su pensier a ciel volante; Dio sia benedetto; Maria Maddalena; I sette dolori; La mategne dei vegner sent; Il signore ci vuol perdonare; Torna deh torna o figlio; Gira gira; Ottavario dei morti. E con la vanga e col zappone;Venite pure o cittadini;Nduf nde; Mamma mia io muoio; Stai pur su sposina mia;O sposina bella sposina;Di nome io mi chiamo Teresina;Su confessati o ragazzina; Sotto il ponto passa l'acqua;Chi ha mangiato;Maruilen; La villanel.

Germani, organo 1 ; La Stravaganza, dir.: Rampe 2 ; G. Preston, clavicembali, Menuhin Festival Orchestra, dir.: Menuhin 3 ; H. Il giovedi grande; Ho peccato contro il Signore; S: Pajese; Mulise; Terra nostra; Matese; Befierne; Murgiarielle; Campane di Vegnature; Spensieri sull'amore; pensieri su cumpagnia pe quiste core;Cumpagnia pe quiste core; Metetura; Spensieri sull'amore; L'amore mie che vo'; Ma tu chi sa chi pienze; Ninna no.

Sonata prima in re maggiore; Sonata seconda in la minore; Sonata terza in do minore; Sonata quarta in la minore; Sonata quinta in la maggiore; Sonata sesta in do maggiore; Sonata settima in sol minore. Carcerato palermitano; Stornelli siciliani; Femmeni americane; Li fimmini cu lu lipstick; La signurina sfinciusa; Annichiuzza tu pigghiasti? Stornelli a serenata; Stornelli al modo dei mietitori; Stornelli al modo delle raccoglitrici di olive; Stornelli al modo dei pastori. The London Philarmonic, Direttore: A trane from the east, Invitation, Every thing happens to me, Theme for a symphony, You don't know what love is, Cherokee.

Si lui la vole. I treni per Reggio Calabria: A Zurigo uno mi dice. Persi le forze mie. Fermi in Mezzo a una strada. E' finito il sessantotto. Donna che per piacere. Anni settanta nati dal fracasso. La notte in cui mi tolsi l'armatura. I cavalli di Troia. Ahi che fatica mi costa. Ho insultato il movimento. Chi l'avrebbe mai detto. Se tu bagni il tuo piede.

Io cerco l'uomo nuovo. Il vestito di Rossini. Il figlio del poliziotto. Mi porti due gassose. Mio caro padrone domani ti sparo. Certo i padroni morranno. Io ti voglio bene. Il lavoratore della Rai. Festa del contadino a San Miniato basso. Concerto per pianoforte e orchestra in La minore Op.

Toccata, adagio e fuga in Do maggiore per organo BWV Concerto in Do maggiore per flauto, arpa e orchestra K. Concerto in Re maggiore per pianoforte e orchestra K. Edvard Grieg, Concerto in La minore per pianoforte e orchestra Op. Dvorak Antonin, Sinfonia n. Il cavallo di Troia. Io so che un giorno. Chiudi la finestra amore mio. Venessia patria mia diletta. Mama madona dei venessiani. In carovana 'riva le bisteche. Copar de la giudeca. Muri alti e inferiae. A Santa Maria Magior. Il lamento dei mendicanti. Mo ve' la bella mia da la muntagna. Lu furastiero dorme la notte sull'aia.

Il giorno dei morti. San Michele del Monte. Gli anni difficili di Apricena. Francische a lu paiese. Lu pecurere pe li Murge. E lu vise de sante Donate. La nave dei folli. La canzon del Navili. Quand g'avevi sedes ann. Con la lettera del prete. Mio dio Teresa tu sei bella.

E duman ghe fan la festa. Se qualcuno ti fa morto. Quand riva 'l cald. Che cosa voglion dire gli occhi tristi. Mangia el carbon e tira l'ultim fiaa. Speta anca ti co mi. L'amor el vien, el va, el gira el mondo. Nina ti te ricordi. E na nana nana nana te canto. O lissa la lerza. Piomba la stella in mezzo al mare. Il toco del porto. Vento buono vento di tramontana. Nina mia son barcherolo. L'amore el vien el va el gira el mondo. Questa xe la calle da le alte mura.

Le pute de San Lunardo.

La ballata del lupino. Voddu chi la me fata tinn'ammenti. Dui so l'estremi volti. Putaiola chi no ttinni. E suspiri di lu me cori. E in Santa Riparata. Fusini ancora li santi. Baddu a passu, danza, baddittu. Li to labbri incarnati priziosi. Onore alla tazza e agli sposi. Tutti ci hanno quarche cosa. Se tu ti fai monaca. Sabato vado a Marino. So' stato alla montagna alla Sibilla. Lavoro tra le pecuri e li cani. Su comunisti della capitale. Uno, evviva Giordani Bruno. Delle vostre galere un giorno.

La caccia alle streghe. La ballata della Fiat. Buone feste compagno lavoratore. Da quando son partito militare. In tutto il mondo uniamoci. Anche per quest'anno ragazze ci han fregato. Addio morettin ti lascio. Saluteremo il signor padrone. Sento il fischio del vapore. Un giorno ci sveglieremo. La creatora in nome della Madre. Ma che me n'importa a me che jo so bella. E' partita una nave da Roma. Cu l'acqua di lu sdegnu ti lavasti; O sunaturi sunati sunati; La carzaratu ca n'avi famiglia; La ci passu; Mazurka; Polka; Scotex; Tarantella; Mazurka.

Banda dell'Arma dei Carabinieri. Li to labbri incarnati priziosi; Ancora chi l'ausenzia; Onore alla tazza e agli sposi; Serenata dell'organetto; Come ciuredda mia. Un uomo esce di casa. Lamento per la morte di Pasolini. La sirena era alle cinque. L'americano fugge la stranezza. Non andate in chiesa a pregare. I don't want to be a freedom writer. Our president Johnson, mayebe you don't know. Il peggiore nemico del negro.

Symphony No.45 in F-sharp minor, Hob.I:45 (Haydn, Joseph)

O sergente frate Antonio ci hai ragione. Se ci avessi cento figli. E nella luce grigia delle strade. Passa luni e passa marti. Il gioco della morra. Son qui di sentinella dalle otto. Se non li conoscete. Proclama di Camillo Torres. Le disgrazie non vengono mai sole. Le tristezze di una donnina allegra. Dove tu te ne vai. Ninna nanna al mio ciocione. Mamma mamma mi sento un gran male. E cinquecento catenelle d'oro. Sciur padrun da li beli braghi bianchi. Amore mio non piangere. La bionda di Voghera.

Ama che ti ama. La morte di Anita Garibaldi. La tradotta che parte da Novara. Il cacciatore del bosco. Le ultime ore e la decapitazione di Sante Caserio. Senti che aria rigida. Portava il cappellino svolazzante. E nella camera del lavoro. I travajeti da Doja. Hoo incontraa una certa tissia. Un ritornello amato da Gramsci. Spesso a cuori e a picche. Ballo torrau di Mamoiada.

Symphony No.45 in F-sharp minor, Hob.I:45 (Haydn, Joseph)

Nui sime 'na famiglia grande assaia. Si chiude l'osteria di Montemassi. Concertino di mandolino e chitarra. Ninna nanna a Simone. La nana de Sivilla. Ninna nanna alla mamma. La metafisica delle vette. Garofalu di Napuli si vinutu; Vinni a ccantar'all'ariu scupertu; A vinni a ccantari canzuni di testa; A vininedda ca voli mari mari; A vinn'a ccantari nta sta cantunera; A vitti la bedda sutta a na castagna; Acchiana e scinni bedd'armalu;. Dirmelo Pietro Gori dove sei. Pietro Gori e l'americana. E alla mattina presto suonan le campane. Caserio passeggiava per la Francia. Su fratelli pugnamo da forti.

Vittorio Emanuele figlio di un assassino. Gli anarchici noi siamo di Milano. Cantavano l'2inno delle barricate. Il canto dei lavoratori. Son cieco e mi vedete. Il feroce monarchico Bava. E per la strada. Evviva la Maria Goia!. Sonata appresso al Santo con la surdulina piccola; La castellana: Dumani 'nghiorna lu venniri santu; Di luni si cumincia lu gran chiantu; Li parti e la cruci; Stabat Mater; Quannu 'a Madunnuzza; Io m'adoru stu saburcu; Primu misteriu; I doli du signuru; Manciati, mbiviti, apostuli mei; Trocculi; Jesu; A simana santa;..

Ninne nanna nanno; Na noce e na nucelle; La mamma de Cuncettola tutta gilosa; Struccele di riappacificazione; Stevene tra catena di tre ce ne spezze una; A volpe u lupe e u falcunetta; Strucceloe d'amore e di riappacificazione; Struccele di buonasera;. Dovi vajie donna biondine; Strusciette; Sunette; Matre del Creator; Lu giuvidjia sante; Nu jorne me ne je pe a vijie di funtanedde; Sturnelle; L'Adelina che faceva a more; Non te pigghia nu vecchie che ce more; E la notte di Natale.

Strapulette d'amore e de scontre; Strapulette; Sunette; Tarantella con strapulette; Tarantella sangiuvannara; Strapulette di riappacificazione; Strapulette d'amore; Strapulette; Canto di saluto; Tarantyella sangiuvannara; Strapulette de scontre;. Sunette; Angele dallu ciele 'n terre calaste; Sunette e sunette; Sunette; Sunette; Serenata; Tarantella alkla muntanare; Ritmo di tarantella con tammorra; Allavdanne; Sunette; Sunette de stramute e sunette vari; Sunette; Sunette;.

Lovro von Matacic ; Philarmonia Orch. Concerto in la minore, Op. Alla marcia - Andante maestoso - Allegro energetico, sempre ben marcato - Allegro ma non troppo - Prestissimo. Philarmonia Orchestra ; Pianoforte: Alexis Weissenberg ; Berliner Philarmoniker, Direttore: Hebert Von Karajan Mi votu e mi rivotu; Santissima dei Naufragati; S.

Cristo alla colonna; E vui durmite ancora; Lorenzo in Sicilia. Stornelli di questua di maggio; Nena mia so barcarolo; Mampresa; Donna lombarda; La bella ninfa; La pastora e il lupo; Valzer della giostra; Il sogno delle stelle; Jamose bella mia; Pianto di Maria. Tarantella; Tarantella di Sant'Arcangelo; Pizzicarola; Canti sull'organetto; Alla sampugnara; Tarantella del pollino; Tarantella pastorale; Tarantella alla laurenzanese; Canti alla pastorale; Tarantella di Francavilla; Canto alla cilentana; Tarantella;.

Suono di canto e tarantella; Canti di mietitura 2 ; Suono di canto alla guardiese; Sonetti e tarantella; Marietta; Pasquarella; Suono di canto alla bisaccese; Canto alla campagnese; Canzona d'ingiuria; Mazurka; Canzone del Sabato Santo;. Tristano e Isotta 7. Four Hands; 10 Time for Lyon. A morte la Casa Savoja. Se non ci ammazza i crucchi. Il bersagliere ha cento penne. Il canto dei deportati. La bella la va al fosso. Le ragioni del folk festival. Verbrannte erde in Deutschland. A girl of costant sorrow. The ballad of Ho Chi-Min. E picchia e picchia alla porticella. La lizza delle Apuane.

Tutti mi dicon Maremma. Sciur padrun da beli braghi bianchi. Bel uselin del bosc. Pellegrin che vien da Roma. Il tragico naufragio della nave Sirio. Mia mamm vol ch'j fila. In su Monte Gonare. A 'ttocchi a 'ttocchi. O cancellier che tieni la penna in mano. Se otto ore son troppo poche. Son la mondina son la sfruttata. Ha detto De Gasperi a tutti i divoti.

Con De Gaspeti non se magna. Da molti tempi stavo ditridanna. Torna a casa Togliatti. De Gasperi bidendesi isoladu. Rosso levante e ponente. Per i morti di Reggio Emilia.

O brava gente che ci ascoltate. Illu Vietnman nistri cumpagni. Numi voi siete spietati. Giovanottino dalla pupilla nera. E il nostro prete che si chiama don Luigi. La morte di padre Ugo Bassi. I tedeschi per Ravenna. Cari signori mi son presentato. Noi siamo i cacciatori delle Alpi. La camicia rossa non me la tolgo. E Garubaldo i lamenta. Sulle mura di Civitella. Quel uselin del bosch. O Garibaldi e al Parlamento. Anderemo a Roma con dei bastoni. La madre abbandonata in cerca del suo Achille. Andiremo in Roma Santa. E a Roma, a Roma. Italiani son stai vincitori.

I feel so bad. I toold you baby long time ago. Yes, my baby's just like a dresser. Got to get myself somebody to love. I got a pretty little flower. Baby i need your love so bad. I'll be glad when you dead. S'ultima iscurrizada; Istentteriu; Mucchju; E cun cantu cuaddus; Bendimus tempus barattu; Cantone de chie ch'est fora; jeo no 'ippo torero; Cantone de sos bestidos de bianca; Cantone de Juanna, sa ruja bagassa de gherra; Banditore chin trumba;.

Sunt content de vess al mund. Da cannu semmu nati. Ninna nanna a sette e venti. A lavorar gh'adem prima matina. Io partu e su custrittu di partiri. Lu suldate che va a la guerra. Avvidecci la me fata. Regazzine vi prego ascoltare. Ascoltate o popolo ignorante. La tradotta che parte da Vovara. Accattari vurria 'na virrinedda. Ma che m'importa a me. Italia bella mostrati gentile. Arriva il giorno del giudizio. Al jorn del judici. Vi ricordate quel diciotto aprile. E passai de nu sciardinu; Lu poveru Ntonucciu; Intra sta curte stannu li bellizzi; La zita; Alla via de lu cupone; Cecilia;Ci te parau?

Muti ; Philarmonia Orch. Menuhin, violino ; D. Adni, pianoforte ; Dussendorfer Symphoniker, Dir. Fiuda alligra e punt'e organu; Punt'e organu e sampogna; Fiuda Bagadia; Ballu Logudorese; Fiorassiu e punt'e organu; Mediana a pipia; Ispinellu e punt'e organu. Bepino lu va in camera; Con quatro quatrini; E pica pica; El merlo ga persio l beco; La bela impasta i gnochi; La colombina; La fameia dei i gobon; La minacia; La salata sta ne l orto; Lascio la moglie; Mi stamatina mi son levata; Biondinela stela;.

Martin in the Field, Direttore: David Zinman ; Andrei Gavrilon, pianoforte Allegretto - Trio; 4 Allegro assai. Eine Kleine Nachtmisik K. Concerto per pianoforte n. Armando Trovajoli, maestro coro: Lu monacu; Pizzica tarantata; Pizzica indiavolata; La canzone delle massare; Pizzica balcanica; Pizzica sorda; Tarantata minore.

Canto sciamanico; Seduta sciamanica dell'orso; Canto sciamanico con tamburo untu; Canto sciamanico con tamburo untu Lidoga ; Canto sciamanico con tamburo untu Bulova ; Canto sciamanico con tamburo untu Bulova ; Canto sciamanico con tamburo untu; Canto tamburo Kkas e cintola a sonagli jampa. Muwasshah 'Lamma basa Quando apparve. Maghreb; Taqsim per flauto. Egitto; Canto tradizionale della regione di Duz lamento d'amore con accompagnamento di mizmar. Egitto; Mawwal tradizionale della regione di Duz. Tunisia; Adhan richiamo alla preghiera: Egitto; Recitazione di versetti del Corano: Algeria; Hamza El Din Nagrishad.

Nubia, Egistto; Teremida, danza sufi. Khallihi beni wa ben Allah, canto tradizionale berbero. Marocco; Improvvisazione per viella imzad. Gurara, Algeria; Musica per percussioni: Niger; Canto tradizionale berbero per coro di donne: Mali; Nay hazin flauto triste: Marocco; Brano peul per hoddu liuto piccolo. Senegal; Hamza El Din Salamt. Hevenu shalom aleichem; Az der rebe zingt; Glezele lechajim; Hot a jid a vabele; Ich hob dich cuffl lib; Yomi Yomi; Hajnt iz du; Ojfn ojvn sitzt mejdl; A jidishe mame; David melech; Ojfn pripecik; Oj chanuke; O ir klejne lichtelech; Gej ich mir spazirn; Mojshele majn frajnd; Hevenu shalom aleichem.

Vojta te fjeja; Ti patrun mos na bej mostranxa; Zoti Krishti im; Mall sa embel c' eshte ky karnivall; Skanderbeku nje menate; Pastorale e tarantella; Sa here te shoh tyj tyj mall; Ti je ajo thikeza ce me firirte mua; Kurore e arte c'e zdallambarte jeten; Heneza e kesaj vanele; Si kam t' e benj lla vita; Pituri ce te pitarti tendet sy; Papo jeta si u be; Ti nde nje finester e u nen nje ballkun; Nde kete shesh m' e shprisha nje dore unaza; Kopile moj kopile ce llambarisen; La fila; Kasternexh i bukur; Oj barth i bardheth; Tarantella; M' u nisa a kaca vet; Moj Llorite e moj vjolle; Ce te bera ti memeza ime; Ngreu ti llacthi argjendi; Mire mbrema ju e mire menate; Bir lale Sendi im cilen karrare me zure; Nina nina nina nana:.

O dolce felice notte; Noi siamo i tre re; Noi siamo i tre re venuti dall'oriente; Noi siamo i tre re; Noi siamo i tre re; Noi siamo i tre re; Vado a cantare le grandi allegrezze; Noi siamo i tre re; Nacque Dio nella capanna;. Cantu a isterritas; Cantu a ballu seriu; Cantu e ballu a passo torrau; Cantu e ballu lestru; Muttos; Cantu a 'sandira; Boche'e notte. Manifesto del Teatro Sciamanico. La pasquarella; Salterello; Monaca a forza; L'anatra; Io vado in filandra; La malmaritata; E' ffinidi i bozzi buoni; La cena della sposa; Donna lombarda; Mariuccia a mme me gela; Il marito giustiziere;.

Musiche e canti del Molise - Recupero produzione popolare e religiosa - Aree interne della provincia di Isernia e del Matese. Como chi intradu est su carrasegare; Su ballu; Picchiadas de printzipi? Pizzicarella vizziusa; Serenata mbasciatura; Tarantella zingarota; Tarantella camurrista; Serenata sdegnusa; A soggiara ca' nora; La tragedia di Viareggio; L'assassinio di Ermanno Lavorini; I vicini di casa; U purgatu; Serenata campagnola; Calabria terra di incanto e poesia; Facci di luna; Balla l'onorata societa; A littara i Sabatu Santu; La nova tarantella d'Aspromonte; Delitto d'onore; La mafia del Montalto; Ntinna ntinna tarantella; Du figgioli nda finestra; Tarantella di beddi Figghioli; Bella fatti vidiri; Pizzicarella chianota:.

Alla lonnuvucchisa, u trenu era partutu di sta casa; Alla lonnuvucchisa, vaju di capajirt' e de penninu; Alla lonnuvucchisa, jettu nu cacchju ncoddu a sa pernice; Alla lonnuvucchisa, site due sorelle e jat'onite; A farsa, u quarantasette; U sbijature; Canto a ra ciaramedda;, amuri amuri chi m'ha fattu fare; Tarantella; Tarantella lenta; Pizzica; A zuchitijata, sacciu na canzunedda curta curta; Canzone per San Giuseppe; Tarantella all'antica; Tarantella cantata, Rosa Teresa Catarinedda mia. Ninne nanne; Giochi infantili; Filastrocche; Canti e suoni; Preghiere.

Ballu 'e cantidu, seneghe; Danza, santu lussurgiu; Studiantina, santu lussurhiu; Studiatina, cuglieri; Pastorina, santu lussurgiu; Ottava Trieste, cuglieri; Ave Maria, cuglieri; Novena dell'Addolorata, santu lussurgiu; Miserere, santu lussurgiu; Laudi della Madonna Addolorata, aidomaggiore; Stabat mater, bosa; Ovidio addis, citazione dalle confessioni di sant'Agostino.

Il CD contiene i brani: Straniero; Parigi val bene una mossa; Nemmeno per un attimo; Resistenza e anore; Un'oasi nel deserto; Chi? In Reading gaol; Non indossava pi? Osteria osteria - Viaggio attraverso l'osteria italiana considerata come casa della cultura popolare. Visione che si ebbe nel cielo di Palermo - Le settimane internazionali, Nuova musica Random or not Random. L'anime e i prestigi. Ballabili a 78 giri - Le proposte di musica da ballo nei cataloghi italiani di dischi Mozart - Eine Kleine Nachtmusik - Divertimento n.

Sonata per pianoforte n. Allegretto [11'13] , Sonata per pianoforte n. Allegro vivace - Trio [3'44]. N 14 in do diesis minore op. Allegro [5'01] , Sonata per pianoforte n. Allegretto moderato - Prestissimo [10'40]. Konzertvereinigung Wiener Staatsopernehor; Maestro del coro: Stabat Mater Sinfonia G. String Quartetin C Major, 64, No. Allegretto ma non troppo 4: Allegro con spirito 5: Adagio [5'13] , 3 3. Bassoon, Harpsichord , Symphony no.

Allegro di molto [4'30] , 6 3. Menuet [4'28] , 7 4. Presto [3'04] , Scorig: Bassoon, Harpsichord Symphony no. Allegro [4'19] , 9 2. Andante [5'41] 10 3. Un poco Allegretto [2'23] , 11 4. Juan del Enzina [3: Introduzione strumentale , 2. Sezione imitativa , 2. ARIA 3'45 , 6. CORO 2'06 , Rappresentazione del sorgere del sole , Rappresentazione della luna , ARIA 2'56 , 3. ARIA 3'24 , 5. CORO 1'27 , 7. Prima parte Gabriel, Uriel , 8. CORO 2'46 , 9. Prima parte del duetto Adamo-Eva , Introduzione strumentale , Sezione a dialogo , String quartet in G. Allegro con brio 5: Tempo di Minuetto 4: Presto ma non troppo 4.

Finale Allegro con spirito 6: Finale Allegro con spirito 4: Allegro - Trio 3'56 , 4 Finale. Allegro molto - Trio 3'50 , 8 Finale. Allegro molto 3'46 , Sinfonia in do minore, Hob 1: Adagio - Presto - Adagio 3: Adagio - Vivace assai 8'35 , 2 2. Adagio 7'48 , 3 3. Menuet Allegretto 4'33 , 4 4. Largo - Vivace 8'24 , 6 2. Adagio 5'22 , 7 3. Menuet Allegro 5'01 , 8 4. Adagio - Presto 8: Menuet Allegretto - Trio 7: Adagio - Allegro con spirito Menuet - Trio 5: Finale Allegro con spirito 5: Sonata in G minor , Hob. Sol Maggiore , 3 I Allegretto e innocente 6.

Vivace assai 7'57 , 2 2. Allegretto 6'08 , 3 3. Menuet 4'37 , 4 4. Allegro spiritoso 7'06 , 6 2. Andante 6'05 , 7 3. Menuet Allegretto 3'38 , 8 4. Largo - Allegro 5'08 , 10 2. Andante 6'43 , 11 3. Menuet Allegro 3'23 , 12 4. Adagio vivace 7'09 , 2 2. Romance Allegretto 7'21 , 3 3. Menuetto Allegretto 4'00 , 4 4. Adagio-Allegro spiritoso 7'45 , 6 2. Capriccio Largo 7'12 , 7 3. Menuetto Allegretto 5'24 , 8 4. Vivace 6'41 , 10 2. Adagio 5'58 , 11 3. Menuet 4'02 , 12 4. Mimi' 4'35 , 4 SI. Coro, la, le quardie! Moderato - Molto allegro - Presto 5. Petrarca 4'10 , 15 Voi ch'ascoltare a 5 voci et doi Violini n.

Petrarca 5'06 , 16 E' questa vita un lampo a 5 voci n. Grillo 2'35 , 17 Spontava il di Canzonetta morale a 3 voci n. Grillo 6'03 , 18 Chi vol che m'innamori a 3 voci e due Violini n. Volgendo il ciel- Movete al mio bel suon 11'41 , 15 IV. Lamento della ninfa 8'46 , 21 VII. Hor che'l ciel e la terra 9' Tempo di Marcia Allegretto: Vivo 2'19 , 14 III. Lento Moderato-Vivacissimo 3'06 , 15 IV. Allegretto grottesco Allegretto brillante-Vivace 2'13 , 16 Can-Can: Allegretto grottesco Vivacissimo Andantino mosso 2'00 , 17 VI. Andantino moderato- con brio Allegretto moderato 4'23 , 18 VII.

Andantino 3'24 , 19 VIII. Vivacissimo Allegro brillante 1' Concerto for Piano and Orchestra No. Allegro non troppo e molto maestoso - Allegro con spirito 21'05 , 2 II. Allegro moderato 18'49 , 5 II. Andante 6'40 , 6 III. Pizzicato ostinato - Allegro 05'40 , 4 Finale. Allegro maestoso 18'53 , 2 2. Larghetto 9'53 , 3 3. Allegro ma non troppo 11'35 , 2 2. Andante , ma non moderato 8'58 , 3 3. Animato 3'04 , 4 4. Allegro non troppo 14'10 , 6 2. Allegro non troppo- Presto giocoso - Tempo I 7'07 , 7 3. Poco Adagio 8'28 , 8 4. Allegro non troppo - Poco sostenuto - Tempo I 14'52 , 2 2.

Andante, un poco Adagio 9'03 , 3 3. Allegro- Trio 7'20 , 4 4. Allegro non troppo ma con brio 10'04 , 6 2. Grave ed appassionato - Allegretto vivace - Tempo I - Presto 10'24 , 7 3. Allegro non troppo, ma con brio 9'47 , 2 2. Adagio 5'36 , 3 3. Un poco Allegretto 5'00 , 4 4. Allegro 12'16 , 6 2. Adagio 11'04 , 7 3. Andantino- Presto non assai, ma con sentimento 4'36 , 8 4. Allegro non troppo 18'14 , 2 2. Allegro appassionato 9'15 , 3 3. Andante 14'30 , 4 4. Allegro non troppo 6 Poco adgio - 7 Poco allegro. Allegro maestoso [4'50] , 2 2. Pastorale [5'14] , 3 3.

Allegro moderato [5'15] , 5 2. Adagio [4'30] , 6 3. Minuetto - trio - Minuetto [4'12] , 7 4. Allegro maestoso assai [9'26] , 9 2. Andantino [3'20] , 10 3. Allegretto [5'49] , 11 4. Maestoso e lento [6'12]. Sur tes pas 1,34 , 10 Quels regards! Scena delle carte 7,49 , 5 Eh bien? Je viens te chercher! Carmen 3,22 , 18 C'est toi! Di qual sei tu vittima Norma, Adalgisa, Pollione 8,53 , 6 Dormono entrambi.. Kyrie Assai sostenuto Mit Andacht [8'46] , 2 2. Gloria Allegro vivace [16'23] , 3 3.

Credo Allegro ma non troppo [17'23] , 4 4. Allegro con brio [7'18] , 2 2. Andante con moto [9'14] , 3 3. Allegro [4'48] , 4 4. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo [9'04] , 6 2. Andante molto mosso [10'19] , 7 3. Lustiges Zusammensein der Landieute: Allegro [3'08] , 8 4. Allegro [3'23] , 9 5. Frohe und dankbare Gefuhle nach dem Sturm: Violin concertt in do major, Op. Adagio sostenuto- Allegro , 2 2. Allegro vivace , Sonata No.

Allegro ma non tanto , 6 2. Allegro molto , 7 3. Adagio cantabile- Allegro vivace , Sonata No. Adagio- Allegro vivace , 2 2. Adagio- Tempo d'andante- Allegro vivace , Sonata No. Adagio con brio , 4 2. Adagio con molto sentimento d'affetto , 5 3. Allegro- Allegro fugato , 6 12 Variations on from Mozart's for piano and cello, Op. Grave- Allegro di molto e con brio , 2 2. Adagio cantabile , 3 3. Rondo Allegro , No. Adagio sostenuto , 5 2. Allegro , 6 3. Allegro , 8 2. Andante , 9 3. Scherzo Allegro assai , 10 4.

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